Jere Harris, Chairman and CEO of Production Resource Group (“PRG”), has been active in Broadway theatre production since 1970, with family ties to the theatre industry that extend back four generations. Jere’s father, Joseph P. Harris, is a four-time Tony award-winning producer of more than 200 Broadway shows, including CHICAGO, DANCING AT LUGHNASA, and SWEET CHARITY. Jere’s mother, Geraldine, was a stage actress who performed in such renowned musicals as GUYS AND DOLLS and SILK STOCKINGS.
In 1982, Jere founded Harris Production Services to provide production management services to the live entertainment industry. Since its inception, Harris Production Services has been involved in more than 500 major productions, including BEAUTY AND THE BEAST, STARLIGHT EXPRESS, MADAME BUTTERFLY, and AN INSPECTOR CALLS, as well as automotive shows, inaugural events, and the opening & closing Olympic ceremonies for London, Beijing and others.
In 1984, Jere founded Scenic Technologies to develop new scenic fabrication and automation techniques for the live entertainment market. Scenic Technologies quickly revolutionized the way scenery is automated through its introduction of Stage Command, a proprietary motion control system. This system has been used in such popular productions as THE PHANTOM OF THE OPERA, LES MISERABLES, WICKED and SPIDER-MAN: TURN OFF THE DARK on Broadway; MASQUERADE IN THE SKY in Las Vegas; TERMINATOR 2 in 3D and TWISTER at Universal Studios theme parks; and numerous corporate events and trade shows.
In response to rising client demand for one-stop production solutions, Jere formed PRG in 1995 with Harris Production Services and Scenic Technologies as its cornerstones. In the following years, leading lighting, audio and video companies were brought into the group, making PRG a global supplier of entertainment technology.
As a producer, Jere has presented two groundbreaking theatrical productions. EFX, starring Michael Crawford, which opened at the Las Vegas MGM Grand Hotel in 1995, was a significant entertainment landmark that ran for nearly eight years. And, pushing the envelope of live performance, Jere co-produced, with Michael Cohl, Broadway’s SPIDER-MAN: TURN OFF THE DARK, the most technically complex production ever mounted on a Broadway stage.